Jun 292012
 

TechCrunch had an article today about a mobile app, called Directr, that takes video that you record on your phone and automates the editing, titles, and music syncing. Automating titles and music sounds like it would work a lot better than automating editing. I’m not sure how a program is going to know the narrative you’re trying to tell and thus know the best cuts. Not to mention using certain cuts for effect.

I suspect that this will primarily be used people filming personal clips of their friends, family, and kitties. Higher production value on those can never be a bad thing. Maybe I’m wrong though and we’ll start seeing some high quality shorts being filmed on phones. I hope to try it out when it is released!

 Posted by at 2:42 pm
Jun 282012
 

Yesterday Valve (the company behind the computer games Half-Life and Team Fortress) released Source Filmmaker which is a tool to make 3D animated movies (specifically machinima). They describe it as a “virtual movie set with lights, actors, props and cameras.”

Machinima lowers the barriers (cost and technical knowhow) of animation significantly for filmmakers. The ever increasing performance of consumers’ computers promises to increase the level of detail in the movies this software creates.

You can make movies using the provided characters, props, and textures and distribute them as long as you don’t make any money off of them. If you don’t use any of Valve’s assets then you can make money on distribution without paying any sort of licensing fees for the technology.

At a minimum I expect this to increase awareness of machinima as a method of creating animated films. Likely putting a powerful tool into the hands of creative people will also increase the quantity of animated films at festivals and on the web. Maybe one day we’ll see machinima on the big screen as well.

 Posted by at 1:21 pm
Jun 262012
 

Congratulations to the winners of the Los Angeles Film Festival and the Palm Springs International Shortfest!

 

Los Angeles Film Festival:

  • Winner: All Is Well (Portugal)
  • Honorable Mention (for Best Narrative Feature): Thursday Till Sunday (Chile)
  • Documentary Award (for Best Documentary Feature): Drought (Mexico)
  • Best Performance in the Narrative Competition: Wendell Pierce, Emory Cohen, E.J. Bonilla and Aja Naomi King in Joshua Sanchez’s FOUR
  • Audience Award for Best Narrative Feature: Beasts of the Southern Wild
  • Audience Award for Best Documentary Feature: Birth Story: Ina May Gaskin And The Farm Midwives
  • Audience Award for Best International Feature: Searching for Sugar Man
  • Best Narrative Short Film: The Chair
  • Best Documentary Short Film: Kudzu Vine
  • Best Animated/Experimental Short Film: The Pub
  • Audience Award for Best Music Video: Piranhas Club
  • Audience Award for Best Short Film: Asad

Palm Springs International Shortfest:

  • Best of Festival: Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
  • Grand Jury Award: Paulie (USA), Andrew Nackman
  • Future Filmmaker Award: Khaana (UK), Rajinder Sawhney
  • Audience Favorite Live Action Short: A Curious Conjunction of Coincidences (Netherlands), Joost Reijmers
  • Runner Up: Talking Dog For Sale, 10 Euros (Se Vende PerroQue Habla, 10 Euros) (France/Spain), Lewis-Martin Soucy
  • Audience Favorite Documentary Short: Mr. Christmas (USA), Nick Palmer
  • Runner Up: The Little Team (L’Equip Petit) (Spain), Robert Gomez
  • Best AnimatION short: First: Nuru (Belgium), Michael Palmaers
  • Second: Amen! (Germany), Moritz Mayerhofer
  • Best Live Action short 15 minutes and under: First: The Devil’s Ballroom (Mannen fra isødet) (Norway/Greenland), Henrik Martin Dahlsbakken
  • Second: The Moment (Australia), Troy Bellchambers
  • Best Documentary short: First: The Record Breaker (Denmark), Brian McGinn
  • Second: The Globe Collector (Australia), Summer DeRoche
  • Best Student Animation: First: Bear Me (Germany), Katarzyna Wilk
  • Second: Flamingo Pride (Germany), Tomer Eshed
  • Best Student Live Action short over 15 minutes: First: Hatch (Austria/USA), Christoph Kushnig
  • Second: Good Night (UK), Muriel d’Ansembourg
  • Best Student Live Action short 15 minutes and under: First: Behind the Mirrors (Detras del Espejo) (Peru/USA), Julio O. Ramos
  • Second: Paulie (USA), Andrew Nackman
  • Best Student Documentary short: First (tie): The Battle of the Jazz Guitarist (USA), Mark Columbus First (tie): Julian (USA), Bao Nguyen
  • Best Student Cinematography: First: Saro Varjabedian (cinematographer), Jesus Loves Youssef (Lebanon)
  • Second: Anand Kishore (cinematographer), Mong (China)
  • Best Student Film Aware (From a US Film School): First: Hatch (Austria/USA), Christoph Kuschnig
  • Best Emerging Student Filmmaker: Kiss Me (USA), directed by Jules Nurrish
  • Bridging the Borders Award: Road to Peshawar (USA), directed by Hammad Rizvi

Don’t forget that you can use coupon code “MAKEMOVIES” by June 30th for two free months of Indie Intern.

 Posted by at 1:31 pm
Jun 182012
 

I’d like to congratulate the winners and everybody who participated in the Sydney Film Festival, FilmOut San Diego, and the Sheffield Doc/Fest.

 

2012 Sydney Film Festival:

  • Official Competition winner: “Alps”, directed byYorgos Lanthimos and starring Aggeliki Papoulia, Aris Servetalis and Johnny Vekis.
  • Australian Documentary Prize: “Killing Anna”, directed and produced by Paul Gallasch.
  • Best Live Action Short: “Yardbird”, directed by Michael Spiccia and produced by Jessica Mitchell.
  • Best Australian short film director: Mirrah Foulkes, writer and director of “Dumpy Goes to the Big Smoke”.
  • Best Australian Animated Short film: “The Maker,” written and directed by Christopher Kezelos, and produced by Christine and Christopher Kezelos.

2012 FilmOut Festival Awards:

  • Best Narrative Feature – Thom Fitzgerald and Doug Pettigrew, “Cloudburst”
  • Best Screenplay – Kellie Overbey, “That’s What She Said”
  • Best Actor in a Feature Film – Rick Okon, “Romeos”
  • Best Actress in a Feature Film – Olympia Dukakis, “Cloudburst”
  • Best Actor in Supporting Role – Maximilian Befort, “Romeos”
  • Best Actress in Supporting Role – Liv Mjones, “Kiss Me”
  • Best International Feature –Caner Alper and Mehmet Binay, “Zenne Dancer”
  • Best Overall Short Film –James Valdez, “Fallen Comrade”
  • Best Short Film Male – Ian Wolfley, “Bug Chaser”
  • Best Short Film Female – Jason Sax, “Do You Have A Cat?”
  • Best Foreign Language Short Film – Francisco Lupini-Basagoiti, “The Empty Nest”
  • Best Cinematography – Norayr Kasper, “Zenne Dancer”
  • Best Direction – Thom Fitzgerald, “Cloudburst”
  • Best Soundtrack – Demir Demirkan and Paolo Poti, “Zenne Dancer”

2012 FilmOut Audience Awards:

  • Best Narrative Feature – Thom Fitzgerald and Doug Pettigrew, “Cloudburst”
  • Best First Narrative Feature – Nathan Adloff, “Nate & Margaret”
  • Best Screenplay – TIE: Rolla Selbak, “Three Veils,” and Michael D. Akers/Sandon Berg, “Morgan”
  • Best Overall Short Film –Reid Waterer, “Performance Anxiety”
  • Best Short Film Male – Paul B. Baker, “Andie”
  • Best Short Film Female – Adam Marcus, “Connected”
  • Best Actor in a Feature Film – Frank Christian Marx, “Men To Kiss”
  • Best Actress in a Feature Film – Natalie West, “Nate & Margaret”
  • Best Actor in a Supporting Role – Erkan Avci, “Zenne Dancer”
  • Best Actress in Supporting Role – Marcia DeBonis, “That’s What She Said”
  • Best Comedy Feature – Robert Hasfogel, “Men To Kiss”
  • Best Documentary – Charlie David, “Positive Youth”

2012 FilmOut Programming Awards:

  • Freedom Award – Caner Alper and Mehmet Binay, “Zenne Dancer”
  • Outstanding Emerging Talent – Nathan Adloff, “Nate & Margaret”
  • Outstanding Artistic Achievement – Rolla Selbak, “Three Veils”

2012 Sheffield Doc/Fest winners:

  • Inspiration Award: Penny Woolcock
  • Special Jury Award: “Marina Abromović: The Artist is Present” (Matthew Akers/ USA, 2012, 105 mins)
  • Special Mention to “Call me Kuchu” (Dir. Malika Zouhali-Worrall, Katherine Fairfax-Wright/ USA, 2012, 87 mins) and “The Reluctant Revolutionary” (Dir. Sean McAllister/ UK, 2012, 69 mins).
  • Sheffied Youth Jury Award: “Photographic Memory” (Dir. Ross McElwee/ USA, France, 2011, 84 mins)
  • Special Mention to “Indie Game: The Movie” (Dir. Lisanne Pajot, James Swirsky/ Canada, 2012, 103 mins)
  • Sheffield Innovation Award: “Bear 71″ (Dir. Leanne Allison, Jeremy Mendes/ Canada, 2011, 20 mins) Special Mention to “Question Bridge: Black Males” (USA, 2012, 180 mins)
  •  Sheffield Green Award: “Law of The Jungle” (Dir. Michael Christoffersen, Hans la Cour/ Denmark, 2012, 85 mins) Special Mention to “The Island President” (Dir. Jon Shenk/ USA, 2011, 101 mins)
  • Student Doc Award: “The Betrayal” (Dir. Karen Winther/ UK, Norway, 2011, 64 mins)
  • The EDA award for Best Female-Director (Alliance of Women Film Journalists, Inc.): “Up the Stairs” (Dir. Rokhsareh Ghaem Maghami/ Iran, 2011, 52 mins).
 Posted by at 6:13 pm
Jun 102012
 

Making a movie is difficult. Much more so than most people know. A finished script is just the first step after which there are many rewarding creative projects as well as tiresome tasks that you wish somebody else could take care of. But on most low-budget and student films there isn’t anybody else. Not even an intern.

Indie Intern helps simplify some of the more tedious tasks so that you can spend your time making movies rather than making spreadsheets. Just import your script (in Final Draft or Fountain format) and Indie Intern will automatically create your production board and call sheets. Any changes you make to scheduling will flow through to everything else. You can then email schedules to your cast and crew from within the program.

production board

call sheetBudgeting is another thankless chore for the independent filmmaker. Unfortunately this won’t magically make your budget larger but it helps streamline the process. Nothing kills creativity faster than spending a day staring at figures in a spreadsheet. Don’t let that happen to you.

film budgetIndie Intern also aims to make it easy to collaborate with your crew since most independent filmmakers don’t have offices. Included is the ability to create and assign tasks as well as add notes on pretty much anything. You can also upload and store any type of files including scripts, multimedia, and cast, prop and location photos.

One last thing to mention about Indie Intern is the pricing. Instead of spending a lot on pricey desktop software you can subscribe to Indie Intern for as little or as long as you want. On tight indie film budgets it is best to put your limited dollars on screen rather than waste them behind-the-scenes. And to lower your cost even more use coupon code “MAKEMOVIES” by June 30th for two free months of service.

Action!

 Posted by at 7:56 pm